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Egypt backs Sudanese president
By Neil Macfarquhar and Sharon Otterman
Published: March 25, 2009
Egyptian officials welcomed President Omar Hassan al-Bashir of Sudan to Cairo on Wednesday, undeterred by the arrest warrant that has been issued against him for war crimes and crimes against humanity by an international court.
Egyptian President Hosni Mubarak and senior government ministers received Mr. Bashir at the airport in Cairo, then held a meeting to discuss developments related to the arrest warrant and conflict in Darfur, the Egyptian foreign minister said. It was the second international visit by Mr. Bashir this week, following a stop in Eritrea on Monday. The embattled leader has also pledged to attend an Arab League summit meeting in Qatar next week.
President Bashir has been defiant since a warrant was issued for his arrest March 4 by the International Criminal Court in The Hague on charges that he knowingly directed a campaign of murder, rape, torture, pillage and displacement of large numbers of civilians in Darfur. Under the International Criminal Court's charter, its 108 member states are obliged to arrest Mr. Bashir if he sets foot on their territory.
But the Arab League and the African Union have called on the United Nations Security Council to suspend the arrest warrant against Mr. Bashir, calling it a challenge to regional sovereignty and arguing that it would further destabilize Sudan.
While Mr. Bashir, in theory, risks arrest when he leaves Sudan, the International Criminal Court has no enforcement police force, and Egypt, Eritrea and Qatar are not signatories to the court's founding treaty.
"There is an Egyptian, Arab, African position that rejects the way the court has dealt with the status of the president of Sudan," Ahmed Aboul Gheit, Egypt's foreign minister, said at a news conference Wednesday, according to The Associated Press.
The United Nations, meanwhile, warned Tuesday that while a combination of stopgap measures by United Nations agencies and the Sudanese government has kept aid flowing in the world's largest relief program in Darfur, the makeshift effort cannot be sustained "These are Band-Aid solutions, not long-term solutions," John Holmes, the United Nations humanitarian coordinator, told reporters Tuesday, summarizing a joint assessment by the United Nations and Sudan last week after the government in Khartoum shut down 16 aid organizations.
The decision to expel 13 foreign organizations and disband 3 local ones immediately followed the International Criminal Court's decision on March 4 to issue the arrest warrant for the Mr. Bashir.
In another development, Ayman al-Zawahri, the No. 2 leader of Al Qaeda, urged the Sudanese in an audiotape released on Tuesday to undertake jihad against what he said was a "crusade" being organized by the West to manufacture a crisis in Sudan as an excuse to invade another Islamic land.
Both sides in the Darfur conflict are predominantly Muslim, and Mr. Zawahri said he was not defending the Bashir government. Indeed, he said that it was "reaping what it sowed" and that it should repent for pandering to the West.
Mr. Zawahri questioned why the International Criminal Court had not issued any arrest warrants for Western leaders. He wondered why the United Nations and the international community had not reacted to Palestinian suffering the way they had to suffering in Darfur.
"Why hasn't the United Nations and the international community intervened to lift the siege from Gaza, while it pretends to cry over the people of Darfur being deprived of relief and aid?" he said on the 17-minute tape.
Jeffrey Gettleman contributed reporting from Nairobi, Kenya.

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Venezia, 23-24 Marzo 2009
VINCOLI E CAMBIAMENTI: L’ALGERIA DI OGGI SI RACCONTA A VENEZIA
Prende il via “Algeria Oggi” with the presence of an exceptional witness of the history of Algeria: Mohammed Harbi. Economy, society, immigration, international relations: these are the themes of journey into the heart of a country in search of change.
Venice - It 's the star of the conference that Algeria now traditionally Merifor (Centre for Research and Training on the Mediterranean University Ca' Foscari) dedicated to knowledge and deepening of the southern Mediterranean countries. After the conference on Turkey, Libya, Egypt, Cyprus, Morocco and Lebanon, which led to the publication of "Papers Merifor" (ed. The Bridge), this year the spotlight will be focused on some of the items most illustrious of the human sciences, which will help to outline the image of Algeria and fascinating composite of our day.
The first day, Monday, March 23 at 9:30, starts with a discussion on "History and Society, inaugurated by a distinguished guest as Mohammed Harbi, who will bring his contribution as a historian, but also to witness and political actor. Following is speaking Abdenasser Djaba, an expert in political sociology, that will focus his speech on social movements in Algeria, providing a further key to understanding the contemporary Algerian society. The second part of the morning will be devoted to economic aspects of Algeria contemporary with Boukella Mourad, a teacher at the Faculty of Economics and Management of Algiers, who will speak on economic reform and continue with Benguerna Mohammed, a researcher and scientific director of the CREAD (Center for Research in Applied Economics for Development in Algiers), which talk about the relationship between economic elites and Algerian society. In the afternoon, from 14.45, the debate will move on Migration, with an overview of the legal situation of foreigners in Algeria offered by Hocine Zeghbib, Professor of Public Law at the University Paul Valery of Montpellier and responsible teaching of the master MIM (Mediation InterMediterranean ). The discussion will continue Mahiou with Ahmed, director of research at CNRS (National Centre for Scientific Research) in Aix-en-Provance, who will explore the theme of relations between Algeria and Europe. The day will end with the vision of "The Battle of Algiers" by Gillo Pontecorvo (1966).
The second day, Tuesday, March 24, will open at 9:30 with the theme of society and culture, with Abdelhafid Hamdi-Cherif, a sociologist and researcher at the University of Constantine and the Maghreb-Europe Institute of Paris VIII, which will introduce issues of identity and belonging as a reconstruction of the mythological past, focusing on the Algerian context. Follow the well-known writer and lecturer Waciny Laredj, critical view of Algerian society and inspired by his novels translated into many languages, which will offer his vision on the search for new aesthetic of the novel in Algeria. In the second part of the morning, more focused on Algerian society, it is called intellectuals and intelligentsia, through the intervention of Aissa Kadri, a professor of sociology and director of the Maghreb-Europe University of Paris VIII. Finally, we will continue with the role of women in Algerian society, with the intervention of Ramaoun Benghabrit Nouri, a sociologist and director of the Center for Research in Social and Cultural Anthropology (Crasci), University of Oran.
the afternoon, starting at 14.30, will be dedicated to the vision of some of the most important documentaries of recent Algerian cinema scene:

"Rachida" by Yamina Bachir-Chouikh (2002), presented at Cannes in 2002 and Prize-winning debut at France 2002 and the Film Festival Audience Award at the France Film Festival 2002;
"Hexagon," Malik Chibane (1994);
"Le Gone du Chaaba" Christophe Ruggia (1997), winner of Metexis Med Film Festival 2003.

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Venice, March 23, 2009


CONSTRAINTS AND CHANGE: ALGERIA TO THE WORDS FROM TODAY IN VENICE

kicks off "Algeria Today" with the presence of an exceptional witness of the history of Algeria: Mohammed Harbi . Economy, society, immigration, international relations: these are the themes of journey into the heart of a country in search of change.


Venice - It 's the star of the conference that Algeria now traditionally Merifor (Centre for Research and Training on the Mediterranean University Ca' Foscari) dedicated to knowledge and deepening of the southern Mediterranean countries. After the conference on Turkey, Libya, Egypt, Cyprus, Morocco and Lebanon, which led to the publication of "Papers Merifor" (ed. The Bridge), this year the spotlight will be focused on some of the most prominent voices of the humanities which will help to outline the image of Algeria and fascinating composite of our day.

The first day, Monday, March 23 at 9:30, starts with a discussion on "History and Society, inaugurated by a distinguished guest as Mohammed Harbi, who will bring his contribution as a historian, but also to witness and political actor . Following is speaking Abdenasser Djaba, an expert in political sociology, which focus his speech on social movements in Algeria, providing a further key to understanding the contemporary Algerian society. The second part of the morning will be devoted to economic aspects of contemporary Algeria, with Boukella Mourad, a teacher at the Faculty of Economics and Management of Algiers, who will speak on economic reform and continue with Benguerna Mohammed, a researcher and scientific director of the CREAD (Centre Research in Applied Economics for Development in Algiers), who will discuss the relationship between economic elites and Algerian society. In the afternoon, from 14.45, the debate will move on Migration, with an overview of the legal situation of offered by foreigners in Algeria Hocine Zeghbib, Professor of Public Law at the University Paul Valery of Montpellier and responsible teaching of the master MIM (Mediation InterMediterranean). The discussion will continue with Mahiou Ahmed, director of research at CNRS (National Centre for Scientific Research) in Aix-en-Provance, who will explore the theme of relations between Algeria and Europe. The day will end with the vision of "The Battle of Algiers" by Gillo Pontecorvo (1966).

The second day, Tuesday, March 24, will open at 9:30 with the theme of society and culture, with Abdelhafid Hamdi-Cherif, a sociologist and researcher at the University of Constantine and the Institute Maghreb-Europe, Paris VIII, who will introduce the themes of identity and belonging as a reconstruction of the mythological past, focusing on the Algerian context. Follow the well-known writer and lecturer Waciny Laredj, critical eye of Algerian society and inspired by his novels translated into many languages, which will offer his vision on the search for new aesthetic of the novel in Algeria. In the second part of the morning, more focused on Algerian society, it is called intellectuals and intelligentsia, through the intervention of Aissa Kadri, a professor of sociology and director of the Maghreb-Europe University of Paris VIII. Finally, we will continue with the role of women in Algerian society, with the intervention of Ramaoun Benghabrit Nouri, a sociologist and director of the Center for Research in Social and Cultural Anthropology (Crasci), University of Oran.

the afternoon, starting at 14.30, will be dedicated to the vision of some of the most important documentaries of recent Algerian cinema scene:

"Rachida" by Yamina Bachir-Chouikh (2002), presented at the Cannes Film Festival 2002 Award-winning debut at France 2002 and the Film Festival Audience Award at the France Film Festival 2002;
"Hexagon," Malik Chibane (1994);
"Le Gone du Chaaba" Christophe Ruggia (1997), winner of Metexis Med Film Festival 2003.

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Conference ALGERIA ALGERIA TODAY

Venice, March 23, 2009


CONSTRAINTS AND CHANGE: ALGERIA TO THE WORDS FROM TODAY IN VENICE

kicks off "Algeria Today" with the presence of an exceptional witness of the history of Algeria: Mohammed Harbi. Economy, society, immigration, international relations: these are the themes of journey into the heart of a country in search of change.


Venice - It 's the star of the conference that Algeria now traditionally Merifor (Centre for Research and Training on the Mediterranean University Ca' Foscari) dedicated to knowledge and deepening of the southern Mediterranean countries. After the conference on Turkey, Libya, Egypt, Cyprus, Morocco and Lebanon, which have led to the publication of "Papers Merifor" (ed. The Bridge), this year the spotlight will be focused on some of the most prominent voices of the humanities, which will help to outline the image of Algeria and fascinating composite of today .

The first day, Monday, March 23 at 9:30, starts with a discussion on "History and Society, inaugurated by a distinguished guest as Mohammed Harbi, who will bring his contribution as a historian, but also to witness and political actor . Following is speaking Abdenasser Djaba, an expert in political sociology, that will focus his speech on social movements in Algeria, providing further key reading on contemporary Algerian society. The second part of the morning will be devoted to economic aspects of contemporary Algeria, with Boukella Mourad, a teacher at the Faculty of Economics and Management of Algiers, who will speak on economic reform and continue with Benguerna Mohammed, a researcher and scientific director of the CREAD (Centre Research in Applied Economics for Development in Algiers), who will discuss the relationship between economic elites and Algerian society. In the afternoon, from 14.45, the debate will move on Migration, with an overview of the legal situation of foreigners in Algeria offered by Hocine Zeghbib, Professor of Public Law at the University Paul Valéry of Montpellier and responsible teaching of the master MIM (Mediation InterMediterranean). The discussion will continue with Mahiou Ahmed, director of research at CNRS (National Centre for Scientific Research) in Aix-en-Provance, who will explore the theme of relations between Algeria and Europe. The day will end with the vision of "The Battle of Algiers" by Gillo Pontecorvo (1966).

The second day, Tuesday, March 24, will open at 9:30 with the theme of society and culture, with Abdelhafid Hamdi-Cherif, a sociologist and researcher at the University of Constantine and the Maghreb-Europe Institute of Paris VIII, which introduce the themes of identity and belonging as a reconstruction of the mythological past, focusing on the Algerian context. Follow the well-known writer and lecturer Waciny Laredj, critical eye of Algerian society and inspired by his novels translated into many languages, which will offer his vision on the search for new aesthetic of the novel in Algeria. In the second part of the morning, more focused on Algerian society, it is called intellectuals and intelligentsia, through the intervention of Aissa Kadri, a professor of sociology and director of the Maghreb-Europe University of Paris VIII. Finally, we will continue with the role of women in Algerian society, with the intervention of Ramaoun Benghabrit Nouri, a sociologist and director of the Center for Research in Social and Cultural Anthropology (Crasci), University of Oran.

the afternoon, starting at 14.30, will be dedicated to the vision of some of the most important documentaries of recent Algerian cinema scene:

"Rachida" by Yamina Bachir-Chouikh (2002), presented at the Cannes Film Festival 2002 Award-winning debut at France 2002 and the Film Festival Audience Award at the France Film Festival 2002;
"Hexagon," Malik Chibane (1994);
"Le Gone du Chaaba" Christophe Ruggia (1997), winner of the Award Metexis Med Film Festival 2003.

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Conference ALGERIA ALGERIA TODAY TODAY TODAY

Venice, March 23, 2009


CONSTRAINTS AND CHANGE: ALGERIA TO THE WORDS FROM TODAY IN VENICE

kicks off "Algeria Today" with the presence of an exceptional witness of the history of Algeria: Mohammed Harbi. Economy, society, immigration, international relations: these are the themes of journey into the heart of a country in search of change.


Venice - It 's the star of the conference that Algeria now traditionally Merifor (Centre for Research and Training on the Mediterranean University Ca' Foscari) dedicated to knowledge and deepening of the southern Mediterranean countries. After the conference on Turkey, Libya, Egypt, Cyprus, Morocco and Lebanon, which led to the publication of "Papers Merifor" (ed. The Bridge) This year the spotlight will be focused on some of the most prominent voices of the humanities, which will help to outline the image of Algeria and fascinating composite of our day.

The first day, Monday, March 23 at 9:30, starts with a discussion on "History and Society, inaugurated by a distinguished guest as Mohammed Harbi, who will bring his contribution as a historian, but also to witness and political actor . Following is speaking Abdenasser Djaba, an expert in political sociology, that will focus his speech on social movements in Algeria, providing a further key to understanding the contemporary Algerian society. The second part the morning will be devoted to economic aspects of contemporary Algeria, with Boukella Mourad, a teacher at the Faculty of Economics and Management of Algiers, who will speak on economic reform and continue with Benguerna Mohammed, a researcher and scientific director of the CREAD (Center for Research in Applied Economics for Development in Algiers), who will discuss the relationship between economic elites and Algerian society. In the afternoon, from 14.45, the debate will move on Migration, with an overview of the legal situation of foreigners in Algeria offered by Hocine Zeghbib, Professor of Public Law at the University Paul Valery of Montpellier and responsible teaching of MIM master (Mediation InterMediterranean). The discussion will continue with Mahiou Ahmed, director of research at CNRS (National Centre for Scientific Research) in Aix-en-Provance, who will explore the theme of relations between Algeria and Europe. The day will end with the vision of "The Battle of Algiers" by Gillo Pontecorvo (1966).
The second day, Tuesday, March 24, will open at 9:30 with the theme of society and culture, with Abdelhafid Hamdi-Cherif, a sociologist and researcher at the University of Constantine and the Maghreb-Europe Institute of Paris VIII, which will introduce issues of identity and belonging as a reconstruction of the mythological past, focusing on Algerian context. Follow the well-known writer and lecturer Waciny Laredj, critical eye of Algerian society and inspired by his novels translated into many languages, which will offer his vision on the search for new aesthetic of the novel in Algeria. In the second part of the morning, more focused on Algerian society, it is called intellectuals and intelligentsia, through the intervention of Aissa Kadri, a professor of sociology and director of the Maghreb-Europe University of Paris VIII. Finally, we will continue with the role of women in Algerian society, with the intervention of Ramaoun Benghabrit Nouri, a sociologist and director of the Center for Research in Anthropology Social and Cultural (Crasci), University of Oran.

the afternoon, starting at 14.30, will be dedicated to the vision of some of the most important documentaries of recent Algerian cinema scene:

"Rachida" by Yamina Bachir-Chouikh (2002), presented at the Cannes Film Festival 2002 Award-winning debut at France 2002 and the Film Festival Audience Award at the France Film Festival 2002;
"Hexagon," Malik Chibane (1994);
"Le Gone du Chaaba" Christophe Ruggia (1997), winner of the Award Metexis Med Film Festival 2003.

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Conference March 21, 2009 - Mother's Arab areas

Today March 21, is the first day of spring and also celebrated Mother's Day in the Arab countries which falls every year on the same day as the "Ruz-e Madar". Already last year came from Egypt an important news that Mother's Day did not go against Islamic law, as decreed by the 'Dar al Ifta, the highest institution Egyptian religious edicts. Celebrated in the West and the Mother's Day 'also mentioned in some Arab countries like Egypt. Not is' haram ', forbidden, said the' Dar the Ifta '(house of fatwa), because in line with the obedience due from children to their parents' tax from the Koran. It may seem insignificant but an achievement is rather important given that affirms the equality of women to men in the parental role.

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What I would not give to live on an island in Venice told through the Giudecca and the Ghetto
... because "Life is a journey and travel is to live twice.
Article by Tiziana Favero.
Many have written, dreamed and talked and commented on a visit or just imagined ... but Venice remains in the imagination of everyone as the city of love, illusion, perhaps because everything could be just a reflex that disappears quickly as it is our face that is reflected in the water the Grand Canal or a thousand channels that cut the city.
Venice is, indeed diving like a fish in the lagoon that has been inhabited since ancient times by people devoted to fishing, salt production, transport and other maritime-related commercial activities, thanks to the many resources that the territory offered . The area during the Roman conquest was greatly improved, the system ports increased, while the hinterland of hardened centuriato It is also clearly visible even in the current provision of roads and ditches. The lagoon became perhaps resort for the nobility, as evidenced by some findings. The first settlement is located on the Riva at Venice High (Rialto ) and dates back to March 25 of 421 with the consecration of the church of San Giacometo on the banks of the Canal Grande . The inhabitants of
mainland sought refuge in Venice as a result of several waves of barbarian invasions that succeeded by fifth century, particularly that of the Huns ( 452 ) and Longobardi ( 568). However Venice is then presented as a collection of small settlements still very heterogeneous, but more important are some neighboring towns as Torcello , Ammiana , Metamauco . In parallel, we are to transfer the major religious institutions in the lagoon, as the Patriarch of Aquileia to Grade and bishop of Altino to Torcello . In particular, the island is famous for Devil's Bridge which was built by the devil himself in one night. Legend has it that during the full moon nights you can see above this bridge, the Devil himself, in the form of a black cat. In
697 became a duchy, which was dependent dall'Esarcato of Ravenna, with its capital first to Eracliana then Metamauco , but following the attempted invasion free of Pepin (Carloman) , in ' 821 the safest Rialto became the capital of the Duchy of Venice , assuming the same time, the name of the territory and state and Venice becoming permanently.
The proximity to the 'Empire ex , the relationship with the ' Byzantine East while the distance from Constantinople made it a major port of trade between the West and the East, allowing the development of a dynamic and enterprising merchant class in the course of about four centuries transformed the city from remote settlements and outposts to imperial power mistress of the seas, now totally independent. It was part of the Maritime Republics , along with Genoa, Pisa and Amalfi , and that is why the lion of St. Mark, symbol of Venice, appears in the insignia of the marine Italian flag . Its territory stretched from Brescia to ' Istria, and part of the province of Belluno to Polesine Veneto.
but with the rise of Ottoman power and the shift of trade to the Americas , hitting the maritime vocation of city \u200b\u200bthat ended up turning his interests towards the hinterland. He devoted himself to the arts and became one of the finest cities of ' Europe.
Not only that, Venice is also the most unique city in Europe, thanks to the uniqueness of its architecture and urbanism. Who wants to visit it to learn the basic things such as place names ... in fact everything changes and is different in Venice, even the names!
The city is divided into six Sestieri, that is, neighborhoods that ideally represent the fourth part of the Roman. They are: Cannaregio , named because it developed in a swampy area where the reeds were frequent; Castle , took its name from a fort that has now disappeared around which has developed in the area; Dorsoduro , probably his name refers to the compact sand dunes of this area; San Marco , obviously named after the basilica ; San Polo, is the center of Venice Santa Croce , which is finally the smallest of the districts. The six districts are symbolically represented by the six anterior teeth of iron gondola (the typical decoration front of these boats) and, together with the rear cog representative of the island of Giudecca , the S-shape tracing, the path of the Grand Canal and broad indicating the desired top with the San Marco Basin and Corno Ducale (Doge's hat of ), should be to provide a stylized representation of city.
There are no squares in Venice, except the one Piazza San Marco, for the rest only find and squares. The absence of drinking water sources has led to the development of fields and squares where the same urban area was used as a huge tank, isolated from the infiltration of the lagoon filled with clay and sand for collecting and filtering water rain, then a well in the center of the small square allowed the supply of drinking water. Often wellheads are real works of art in marble, today we can count about 600, but before the construction of the aqueduct in 1858, there were 6782 in all city. Unfortunately
live in the water is not easy and human interventions have been crucial as the consolidation of the foundations, obtained by planting in unstable ground of the lagoon islands of wooden poles or the adaptation of dwellings with entrances off water to the access of people and warehouses for loading and unloading of goods .
Interesting things and not to be missed, in addition to all the tourist circuit that is strongly discouraged, is the island of Giudecca and the Jewish ghetto.
The Giudecca is an island, or rather a set of islands that overlooks the canal and the residential area, relatively quiet and free from excessive tourism. The long pier to the north, facing the city, form an avenue on which it is very pleasant to walk and offers stunning views over the city. But the most interesting would be right in his name which in itself already provides some historical events that crossed.
According to the current name derives from the presence on the island of Giudecca first Jewish ghetto, then moved to Cannaregio . Even at the famous plant Temanza, the oldest known map of Venice, the island is referred to as Judaica. Hypothesis latest and likely derives from the name zudegar (in old Venetian "judge", "order"), since it seems that in the ninth century the Republic confined there some rebellious nobles.
As we have seen the history of Venice is constantly interwoven with that of the Jews, and here it was established the first ghetto in Europe that is Ghetto of Venice, on March 29 1516 to Cannaregio and as suggested by their passage through the Giudecca seems that previously the Jews were free to live anywhere in the city. Part
less touristy but more fascinating than the city, that of Ghetto ... the Jews have always been a community rec

iderevole always in the Venice area, but in 500 the Republic had the need for large sums of money, caused by an economic crisis across the city. Since Jews were the only ones who could lend money, this was one of the few trades that shark he was allowed to do with the stracciaiolo and the doctor. why the Government of the Republic by decree stated that these were all living in one area of \u200b\u200bthe city, choosing for this purpose, the area where they were originally located the foundries, "Geti" in Venice, also established that were to lead a sign identification and forced them to run pawnshops at rates set by the Serenissima as well as to undergo many more burdensome rules, in exchange for granting freedom of worship and protection. The first to move were the Ashkenazim from Germany and have amended the act in "ghetto" gutturalizzando and crippled the Venetian term.
This is where the Ghetto, which was closed and being an island completely isolated by removing the bridges and patrol boats for a possible sortie as retaliation, due mainly to the work they have done.
But I can not tell you everything ... discover the rest, lose yourself among the canals, bridges and streets magically ritrovatevi Calle Amor Friends of ... one of those closed streets where young lovers took refuge to live clandestinely their passions and magical stories ...

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The satire of "Blade mon pays" depicts a tragic story "Mediterranean".

The 40th edition of the International Theatre Festival brings us closer to the other side of the Mediterranean.

The play directed by Moroccan Driss Roukh in search of paradise between immigration and discrimination.

Review by Tiziana Favero.

The Venice Biennale has proposed this year, from 20 February to 8 March in the review of the International Theatre Festival, more than twenty plays on the theme of the Mediterranean including the work of Driss Roukh, Blade mon pays! One of the most anticipated events of this spectacular sea-lab is the National Theatre Mohammed V of Rabat, who signs off for the first time in Italy, at the Teatro G. Poli in Santa Marta, with this director's Moroccan Driss Roukh the second foreign guest of this Biennale Teatro 2009. Internationally renowned actor (he starred in films such as Syriana, Babel, The Situation), film and theater director said, is one of the artists Roukh most prominent in Morocco.
not be surprised if in Venice has been proposed to deal with a topic as important as Mediterraneus, from the Latin "sea in the midst of the land." Venice, or rather the "Serenissima", immersed and surrounded by small fish these waters, has always been sensitive to these matters that touch the Mediterranean Sea from vicino.Il was in fact always been a source of conflict, but also of bringing nations together and the lands around him, and through human history has been known by several names that bring out all this characteristic of "centrality." There are many themes, ideas, issues that unite and divide, which link to become source of life and death more often. Since the late eighties, the Mediterranean is through the route of migration from Africa to Europe. Each year tens of thousands of economic migrants, refugees and political refugees by sea to reach the Italian coast, Greek and English. According to research conducted by the Centre Fortress Europe on the basis of information found in the international press, from 1988 to 2007 migrants drowned crossing the Mediterranean are at least 8,165 people.
A sea, ours has become, unfortunately, many years of stage performances of improvisation, in which actors of all nationalities, who find in him a meeting, read the part that are forced to interpret according to the bank from which they come. This is the main reason why this 40th edition opened its doors pièces de théâtre from this intersection of a culture of the land and the sea that is Latin, Arabic and Hebrew together and speaks all these languages, breathe oriental perfumes and feeds on religions, opinions and beliefs, music and life styles.
The show, which portrays the young and poor student of Meknes, in a few years has managed to become a reference point for their country, is a cry of accusation at all. Roukh plays primarily with the dialogues with the text that the viewer is hard to follow. He chooses to make his characters speak in Arabic with a Moroccan dialect infused with French. Just in France, in Paris, is set the story of two immigrant brothers Kader (Abdelkebir Regaguena) and Habib (Said Bey), who tell their despair as immigrants, their nostalgia for the country of origin, travel, violence suffered. But they represent two different ways of living and feeling the weight of being a migrant, one repressed in himself good-naturedly accepts the part of the "dirty Arab", the other interprets it in turns sinister and meddling in the criminal underworld. What then was the pain of not being in their own country and of not being accepted in their new one, can not back a loser and can not stay a stranger.
The director uses a subtle satire, for the viewer who does not understand Arabic and is therefore forced to shuttle between the stage and the black screen where the subtitles are projected, and otherwise sharp and clear to the public from the Maghreb. The satire, historically and culturally, answers the need of the human spirit to oscillate between the sacred and the profane , always takes care of important issues, especially politics, religion, sex and death (as stated by Daniele Luttazzi) , and on these proposed alternative viewpoints, and through laughter conveys small truth, sowing doubts, exposes hypocrisy, attacks the prejudices and question beliefs. And that is skilfully brought the work but may not necessarily be taken as an indicator of the degree of democracy in the country. Morocco, which is presented to us comes out from the words that flow like a restless river, Kader drunk and exhausted as the audience laugh at the wonderful performance. It almost seems to paint a picture of concentric circles, moving from a hellish pit to another.
family describes the condition where the money is never enough, his wife and mother does not consume ever quiet and obliging her sinful relationship. Unemployment, work that is not to be sought abroad, in large dream immigration. Is then told the flight from Morocco, the boat trip and the fear of dying, the sense of guilt for having been part of other young countrymen, for having supplied their dream "that night each of them carried the photo of the mother or father , or his brother's girlfriend ... wished happiness ... thought they had chosen the right path, that heaven was close ... did not know that many others had died in the same boat, others imprisoned and tortured ... I did not know the danger that awaited them, the way to paradise was so thorny , that their wings would be burned before take off ... I've deceived, I have made them forget the reality ... " Habib while trying not to feel guilty about his brother reminding everyone what they want to leave, "wanted to die? ... wanted the house, car convertible, and the blue-eyed girlfriend, the money," the money "... wanted to live in France or Italy ... they wanted to live the dream that I had promised! "But the immigrants grow only hatred in the country that receives them, exploits them in their youth, do not accept them, the same hate that show with his brother Habib in a mirror reflection of his face. Immigration, illegal immigration, nostalgia mix and remain in the balance as the immigrant's life that "I have lived hesitant and nervous, between my land and this country dirt and full of hate .. my life wasted to do anything ... all dreams fade away before our eyes today, and can not be realized. Now I know that he was weak, timid, fearful the greatest. "
After a long journey made in their lives, at the end of the last act, Kader reveals his plan to his brother committed suicide and the reasons why "if I can not go back, at least I can stir my spirit with the sun and die. .. fade, return to the earth from which we came ... return to the days of our country, its noise, its colors ... return to Achour, RAMADAN in the district .. the cop who stops you if you let it disturb your sister ... the days of the country are a plague, a disease. Children smoke opium every night, get drunk and sleep on cartons .. the days of our country are days of cold, dust kills the spiders nest on our skin. The bread there but we're hungry, there are the clothes we are naked, but the people are poor ... and others spend millions montone.I eating days of our country ... you right but you can not ask ... is forbidden, not to mention, make no sign, do not raise your hand and not put it down, shut up, you have neither heard nor seen, and I need not say ... do not think so either. In our country, corruption is party by the court, and you can not say anything, if you need anything else I have to give something in return ... in our country we live like flies to poop in the middle. In our the whole country is dirty, you complain and you can not say anything. Some dressed in white and become spokespersons of the religion, they are Muslims and we disbelieve, but the night will find them in the most beautiful bar to drink and swim in the midst of sin. "
in "their" country is a complex, difficult, but always eastern and exotic, fascinating precisely because it lies beyond the sea that we continue to cross. Probably all the records will not be transmitted to his audience, but the important thing is to know at least a different voice, critical, ironic and disillusioned about what the East and the West about what was presented. This is the greatness the show, his goal difficult to achieve, an awareness on the part of Moroccan migrants to abandon their dreams into goals that will not ever what they had promised, and across Europe launched the complaint, accused of racism and violence, but perhaps more seriously guilty of ignorance, of being still a banquet of star at the center of political and economic map of the world, selling even a dream that never come true.

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"Waltz with Bashir," dancing between pain and memory.

Review by Tiziana Favero
In these days of conflict, they see once again involved in the Palestinian Territories and the Gaza Strip Gaza, Israeli tanks, missiles, Kassam, and the search for an enemy to Israel is just a film about the Israeli Lebanese conflict of 1982. "Waltz with Bashir" was released in Italy on January 9 and is a film that everyone should see. Of those who leave the audience seated until the end of the credits, which raise the people in silence. One of those films that brought the audience to reflect on what has been shown, "to learn about what happens around them.
Presented at 'last Cannes Film Festival, winner of six Israeli Oscars and now in competition with Gomorrah, for' the American Oscar foreign language film, "Waltz with Bashir" offers all this. Despite appears as an animated film is set in the documentary genre tracing, using the autobiographical story of its director, the hard reality of conflicts that involved the Lebanon in the early eighties and the massacre of Sabra and Shatila in 1982.
Just listening to the middle of the night in a bar the story of a friend, concerned about a recurring dream, Ari Folman said Israeli records, you realize that you have removed an important part of their lives. He began his research, the dark area that was completely abolished, which had been in 18 years, his experience in 'the Israeli army committed in the first Lebanon war to eradicate the Palestinians from those territories and their missiles that threatened the North Israel. Like a dream that continues throughout the film with the use of innovative technology projects the viewer on a journey through the unconscious, creating a kind of plan is not really between the stage and the dark area that the protagonist tries to investigate all the film.
Once started this quest for truth, enter into its analysis and the analyst during a session Folman talks to a patient who has similar holes in his memory: "They are called dissociative amnesia. This inability to recall important personal information in response to a dramatic event. I might mention the case of an amateur photographer, a patient of mine. In 1983 I asked: 'How did he overcome the first months of the war? ' and he replied: 'Pretending to be a long stay in a theme park. I kept telling myself, look at that beautiful photos can be taken from here, gunfire, mortar fire, dead bodies, wounded, blood '. He watched everything that happened through a camera imaginary, and for a while 'it worked. Then, something happened, as if the camera was broken. He explained that the experience he had become traumatic when suddenly his department had occupied the Hippodrome of Beirut. Carcasses were everywhere in the stables of Arabian horses, and massacred those who were not dead, dying. That scene broke my heart, I said my patient. In war it is normal that men commit atrocities on other men, but what have those poor animals? The vision of those beautiful Arabian horses wounded to death was too much even for him. He had learned to use a mechanism that allowed him to remain outside of what's happening around, but it was enough that it would involve a scene in first person, because he could no longer say 'this is not really happening'. And shortly thereafter, went mad. " It is these that are dissociative amnesia as a thread throughout the film by the Israeli army.
Through the stories of his former comrades forgotten that even reluctant to return him to remember buried nightmares, returns to his youth. The carelessness of youth, of those guys that unprepared, inexperienced, super-armed and with the same face of the terrified soldiers entering today in Gaza, they left in 1982 to the conquest of Lebanon. Reappear as sharp as photographs faded by time but always real, the events of those days of war. The starting point for a long jaunt, including campaigns and days of sun on the beaches of Lebanon. The background music that accompanies them is the same one that sang the first American soldiers in Korea and Vietnam after the same shots that turned into death and despair everywhere pass.
It is through the technique of animated documentary, the film manages to evoke great images because of their cruelty. The desperation of a soldier under sniper fire forced the Palestinians to come out to dance the waltz under the posters of Bashir. The erotic fantasies of another, he imagines to swim on a woman's body while burning it all off. The array of wild dogs chasing a friend of Bashir and seem to those who had had to kill because they did not bark during the maneuvers. Coming
the inevitable truth of the massacre he witnessed helplessly in the refugee camps of Sabra and Shatila. While the Israeli Army entered West Beirut in September 1982, Bashir Gemayel, a young and charismatic Maronite Christian Phalange allies general Israel's newly elected president of Lebanon, was assassinated (still do not know by whom and from which side). Did not wait the reaction of the Falange. Under the incredulous eyes of the Israeli army and powerless and the tacit approval of then defense minister Ariel Sharon, killed and massacred women, children and elderly. It was a genocide that the director unconsciously associated with the Hebrew. Three days and three thousand innocent victims, the same that appear in the final sequence of the film. A few minutes of footage, this time no longer a real cartoon, the population of what he found once back in the camps, death, debris, bodies torn and suffering innocent. Although little
known was one of the most shameful pages of history and tragic Israeli-Palestinian conflict. The news shocked the world, including Israel, hundreds of thousands of people took to the streets, so unanimous protest forced the government to set up a commission of inquiry. Sharon was found guilty of not doing enough to stop a massacre, since he had been informed. Declared unfit to command had to resign with the prohibition to hold that office again. In '96 he became foreign minister in 2001 and became prime minister.
The film plays on some recurring themes when it comes to genocide and war, but the real skill of the director lies in the fact that the same words can and should be valid for all peoples, as the Jewish Palestine. MEMORY, what is lost, which is suppressed, that you want to forget, but the only thing that binds us to our past and we can project while avoiding the errors in the future. Innocence of a child who just wants to play in the snow with his fake gun, a beautiful horse run free, a carefree man to walk on their own land. WAR, even though the same man should have learned respect and the right to be "a man who dies for a yes or a no." In this age of technology, the illusion of being able to control everything with a remote control, media wars and massacres on the agenda, the idea that machines are superprecise to drop bombs. We forget too often that however the war is still done by men. Forgetting more often these men, unconscious of their guilt. Sins so heavy that removes the memory. We are so perfect a machine to remove exactly the things you do not want to remember.

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Review "Jasmine" Eli Amir

In Jasmine's all the love and hatred of two nations, which can lead one between an Arab and a Palestinian?
The first novel by Eli Amir, Israeli writer, tells us that the conquest of East Jerusalem in 1967.
"and described the city \u200b\u200bas a poet's lover, saying that its stones speak in rhyme, a golden light, sweet and gentle, winding. He told the Grand Mosque of Omar and al-Aqsa, the rock from which Muhammad ascended to heaven was riding his horse al-Buraq, and of course the Temple Mount, the Wailing Wall ... here is preserved the spirit of the prophets, sages, kings and poets who have lived in this city and have given nine measures of beauty, but also transforming it in a messianic, like a magnet that attracts crazy all over the world, people in search of redemption, waiting of an imaginary Messiah and whose prayers will not be exhausted. " So Eli Amir describes the city of Jerusalem in his first novel published in Italy by Einaudi Jasmine and available in bookstores. The Israeli writer lets us know this story that unfolds in a newly re-conquered Jerusalem by the Israelis in the war of '67, a little-known literature such as the Israeli Sephardic. That fact is often anchored in the folk context, recalling the colorful and a bit 'nostalgic for a world extinct. Here we are instead on a whole different level: modeled on the political, historical and social.
The plot unfolds as if it were a travelogue of the protagonist to discover that unknown world that East Jerusalem was for Israel in the aftermath of victory, but also the personal journey to discovering what it means to be Israeli in the aftermath of war and confrontation / clash with the other Arab.
Just as radios of Cairo, Amman, Damascus still sing the heroic deeds of their armies, Israeli soldiers have been busy (or released) in East Jerusalem. Nothing will ever be, in the Middle East, as elsewhere in the world. As it suggests by the words of Prime Minister Eshkol, the Israeli government is also well aware that early in the new situation, the issues related to the area east of the city: "It's the V for victory? - Asked the Secretary. Eshkol looked at him without smiling. No, it is W of the Wi krikht men zikh oys, as we work it out? ... I consider it an example of clarity in the euphoria that permeated all of us, of humanity between the roars of victory. " To best meet this new situation for appointing director of Arab affairs thirty-something Sephardic jew Nuri Elias Nasseh.
The figure of the protagonist of the novel may seem in all respects cloned on the experience of the author's life, both were born in Baghdad, their first language is Arabic, have had the experience of refugees from Iraq who flee to take refuge in Israel's experience in Kibbutz Mishmar Haemek new immigrant, the institutional role done. A life in balance continuously, trying to mediate and seek points of contact between two cultures are very distant now.
Nuri finds himself faced with a reality shared by the bitterness and frustration of those who lost the war, which coexists with the euphoria and disbelief of those who won it but has not yet become aware of the complex reality that awaits him. He feels deeply connected to the Arab culture from which it derives and in which is located at the same time can not forget to be a jew. The internal split that will go Nuri feels throughout the novel constructed through a continuous interplay of opposites, in which everything is opposed, places, characters , In their stories. Within the Arab world as in the exploding Israeli conflict and tension between those who want to remain anchored to their positions, without conceding anything, and who would be open to the 'Other' in the knowledge that is the only way to get to know and to live in peace alongside each other.
During the discovery of the East Jerusalem, including its narrow streets and slums, remained hidden until the Six Day War, Nouri try a direct approach with the population approaching one of the most prominent of the city. He knows and enters familiar with Abu George, a Christian Arab owner and journalist of the daily Al Watan and al-restaurant Hurriyeh accepting, at the suggestion of Nuri, to resume its activities, while clashes with Abu Nabil, a member of Abu George Muslim and Arab journalist who prefers to accommodate the talents of Arab propaganda peppering his wares of deceit and lies. Watching from reality he is aware of the needs and reasons for the "enemy" and strives unselfishly to help the Palestinians in alleviating those problems that the new political inconvenience has inevitably created. Strongly opposes the Israeli official, Haram, arrogant and deceitful that does everything to put obstacles instead of solving the messy situations. But listen and help the young and naive shepherd who knows Ghadir during military service in his youth on Mount Scopus. But unfortunately
"In this narrow bed next to a wall of clay, full of cracks, holes and burrows of spiders lizards when I turn I fall into the sea. In this narrow, hard bed did you sleep with me, oh dear, or smash the head - my and my children, against the Wailing Wall? "Jasmine points out how in one of their early discussions," Who belongs to this narrow bed? ". Two people are vying for a piece of land. And Jasmine, tries to make him understand.
the background of a thousand issues of Arab-Israeli conflict, the population problem, the internal differences between the state of Israel Ashkenazi and Sephardim, she arrives. Suddenly. Jasmine is the only son of Abu George, who moved from Paris after a Ph.D. in educational psychology and find a job with the help of Nuri in an Israeli institution that deals with handicapped children. Young Arab
modern Western culture has acquired through studies in a European city, Jasmine stands in contrast to the world that Israel perceives as a "usurper" and trying to combat by all means. Try not want to see a reality that is placed under the eyes, that "our oppressors would bring in the heart of the wounds, just like us." The two young men, a Palestinian Christian and a member of a family jew Orthodox Jews, began to walk along a path of friendship towards a mutual understanding of self and other.
Two parallel roads, such as the Jewish people and the Palestinian people, like that of two young lovers can never intersect in a mutual acceptance of the achievements and limitations inherent in themselves? Only if they understand "The opposite each other-the two sides of a single narrow stream dall'alveo away forever."